The story of Genesis, a defender of women's rights
Keywords:
gender violence, women's rights, public entities, GenesisAbstract
Gender violence has different manifestations that make this phenomenon complex where doctrine and laws are not always the response to what happened. The purpose of this essay was to generate an intersubjective reflection that configures the episteme of the History of Genesis, A Defender of the Women's Rights, Lara. The phenomenon was reflected from Heidegger's Phenomenological - Hermeneutic method and assigned to the Interpretive Paradigm, a narrative was generated inspired by a story of a real case where the experience of the protagonist is described with her authorization, using a fictitious name to protect her identity. and avoid the systematic violation to which it has been exposed. From the ontological level, I assumed a reality in social construction, given that the phenomenon developed from a network of intersubjective relationships. The epistemological position is transactional, dialogic, subjectivist in nature; because I approached reality and established a fabric with the perceptions from the perspective of the sufferer, how it feels to be a victim and victimizer for defending women's rights. With a descriptive and emotional narrative, the different forms of violence such as institutional, symbolic and computer violence are treated from the voice of those who suffer from it, questioning the justice system and pretending that their life is a reflection so that the many Genesis can be used again your name.
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Cárcova, C (2018) Acerca Del Concepto De Posverdad Revista Internacional de Direito e Literatura v. 4, n. 1,
Diccionario de la Real Academia Española (2024). Consulad de la página https://dle.rae.es/posverdad%20como%20citar%20LA%20RA
Pérez, J y a Merino M ( 2021) . Posverdad - Qué es, definición y concepto. Disponible en https://definicion.de/posverdad.
Reforma a la Ley sobre el derecho de las Mujeres a una Vida Libre de Violencia, Gaceta No 6.667 6 de diciembre del 16 de diciembre del 2021.
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Copyright (c) 2024 Maria Alejandra Mancebo Antunez
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